Art of Time Ensemble’s AD Andrew Burashko prepared another concert for the TSMF this year, a mid-day do at Walter Hall this Saturday, the time slot usually reserved for the song or chamber music academy boys and gals. This was different: instead of a master class or a young talent showcase, Burashko, the Rolston String Quartet and the guest singers gave us a sample of songs that have come out the AoT Banff residence created to get composers/arrangers, popular singers and classical instrumentalists to re-work some of the classical chamber pieces into something new and their own.
Some years before the Banff collab, Burashko had commissioned 4 singer-songwriters to do something with the Schubert piano trio (discussed in the previous post on this blog and performed on July 25 in Koerner Hall). 9 new popular songs came out of the Trio and ended up being recorded on different albums. Burashko repeated this experiment with a Schumann piano quintet and a Korngold piece, at which point Banff asked him to do the program under their auspices. And soon enough, 6 singer-songwriters and 6 composers met in Banff Centre for a three-week collaboration on making new pop songs with elaborate musical tapestries based on a piece out of the classical canon.
Sarah Slean and John Southworth mentored the singers in Banff, and for this concert on Saturday they sang some of what came out of those three weeks. They were joined by two other singers whose names I didn’t manage to write down correctly and could not find online after. One was possibly Neil Hannon, Northern Irish singer-songwriter? Another one, who also arranged one of the songs, had the first name of Kelsey? Alas, AoT doesn’t print detailed programs in advance (they do post them after – this is a good archive of past performances), and as long as that’s the case, the info that I can share about their concerts will unfortunately have to be partial.
Among the singers, La Slean stood out again – not least because her lyrics are unusually clearly enunciated, whereas I missed most of the lyrics in songs performed by other singers. I promise you it’s not my classical art song snobbery talking; I genuinely couldn’t understand what was said and some of those lyrics are probably quite good. Second song of the two that Slean did she explained that she wrote for Rilke – specifically in solidarity to his claim that he communicated with the supernatural. Slean really has the Romantic mythemes down pat, doesn’t she? There are often interesting stories behind her songs; she really is a delightful song artist.
Rolston Quartet, after it accompanied all the singers and Burashko at the piano in the song program, was then joined by pianist Todd Yaniw for an energetic Dvorak’s Piano Quintet No. 2 Op 81. Some of the preceding songs, it became clear, had recognizable affiliation with the Quintet.
TSMF continues apace; I will report on at least two other concerts coming up next week.