How accurate are the arts about mental health issues? I got thinking about this while working on the September piece for the Wholenote, which is an interview with soprano Monica Whicher about the concert series organized each year at the U of T during the Suicide Prevention Week. It’s a good occasion to talk about mental health issues in university context, and remind people what services there are for those who may need them. In the article, I leave the university grounds and look at the availability of talk therapy for general population. It’s not great.
There was no room for this sidebar, so here it is. Some recent creations and two old ones, which approach mental health problems in intelligent ways:
Flowers (British TV Series, 2016-2018). The two-season Channel 4 / Netflix series looks inside a family in which the father is struggling with depression and – in the following season – the young daughter with bipolar disorder. Somehow it manages to be a comedy while also being devastating. Stars Olivia Colman and Harriet Walter, but entire cast is brilliant.
Maria Bamford’s stand-up. Bamford has been very open about her own life with mental illness, both in her standup and in media interviews. It’s not always easy to watch her – she is not a polished communicator always in control, she is visibly struggling but just about functioning while also creating smart and funny material and living her life and staying in a relationship. Respect.
Imagine Me Gone, a 2016 novel by Adam Haslett. Story of a family which loses one member to suicide, and another, gradually, to a multifaceted, elusive psychological distress which often appears as… being extremely good and alert to injustices in the world. All the characters are drawn out in subtle detail, as are their sufferings and joys. At the end, the family reconstitutes after the losses as best they can.
Virginia Woolf – the 1926 essay on ‘On Being Ill’ and the 1925 novel Mrs. Dalloway, which has a character trying to live with what we would now call post-traumatic stress disorder. His experience of the city of London and of being in the world in the 1920s after the Great War is entirely different from those that the central, well-off characters of the novel have, including the lovely and yet thoroughly oblivious Mrs. Dalloway herself.
Homer’s Iliad, any translation: the section The Grief of Achilles and the New Armour Made Him by Vulcan. As we’ve known at least since Homer, the problem with the dead is that they never die.