Das Lied ohne Erde, and similar experiences

What do you call a Das Lied von der Erde with inaudible soloists? Das Lied ohne Erde.

Sorry, could never resist a bad joke.

I am also trying to cheer myself up after a Das Lied von der Erde with Michael Schade and Susan Platts, neither of whom had a voice big and flexible enough to deliver the songs comfortably.  Neither was audible in anything a bit louder, anything with brass or in any of the tutti. When the orchestra thins out and voices are paired with a small group or one other instrument, then and only then the verses were being heard.

Luckily, some chunks of Der Abschied are chamber-like, so there was at least that. The Toronto Symphony Orchestra under Peter Oundjian saved (some of) the day, because the musicians came through and gave a solid read of this Mahler masterwork. But trying to listen to your favourite song cycle with singers under duress is not an experience I would recommend to anybody.

There was also world premiere on the program, a song cycle by Howard Shore to the words (an ode to nature) by Elizabeth Cotnoir. That was a snooze, I’m sorry to report, a musically static New Age-y set of poems about the plants, animals and “ancestors”.

It’s rare that I get out of a concert having disliked almost everything on the program (but a hat tip to the TSO). Forgive my grumpiness. I hate writing bad reviews, so I’ll leave it at this.

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