Browsing All Posts filed under »politics in opera«

ROH opera screenings return to Bloor Cinema

February 19, 2015

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Aaaaaaaaand opera is finally back at the Bloor Cinema: this Sunday Feb 22 at noon they’re screening a repeat of ROH’s Andrea Chenier directed by David McVicar with Jonas Kaufman in the title role. The rest of the schedule looks like this: March 22 – Tim Albery’s Der fliegende Holländer with Adrienne Pieczonka and Bryn Terfel. June 28 (no idea […]

The return flight on Airline Icarus

February 8, 2015

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Airline Icarus is familiar and strange, both.

Hell, it’s the family

January 24, 2015

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– Though it would be easy to read the family as representative of capitalist success, and the outsider Don Giovanni as the criticism of its values, Tcherniakov is adamant that social criticism of this kind is the last thing on his mind. “I am of the opinion that even if overnight we all became equal […]

Madama Butterfly, or America as the marital rights utopia

October 17, 2014

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Madama Butterfly at the COC. Seen October 15, 2014. Tickets & more info The libretto of Madama Butterfly is impossible to love, but the sad fact of the matter is that the music of this opera is probably Puccini’s most sophisticated score, least emotionally manipulative, least musical theatre, least cheddar. There are some exceptional musical […]

When the Sun Comes Out – the Toronto Concert Premiere

June 27, 2014

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Let’s hope that we will be able to see When the Sun Comes Out properly staged and orchestrated for at least a handful of instruments in the near future. (AtG, I’m looking at you?) Vancouver has seen the work staged (albeit minimalistically) and orchestrated for single violin, flute, clarinet cello and the piano and conducted […]

Christopher Alden talks about his new production Il Turco in Italia

June 22, 2014

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How did you approach Il Turco in Italia, how do you understand it? It’s the piece that I love, and once did years ago at the Long Beach Opera. I thought about it for years. It has this element running through the libretto about the cultural differences between two people who fall for each other. […]

Roberto Devereux at the COC

April 26, 2014

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Roberto Devereux (1837) by Gaetano Donizetti, libretto Salvadore Cammarano after Francoise Ancelot‘s tragedy Elisabeth d’Angleterre. A Dallas Opera Production, the Canadian Opera Company premiere. Director Stephen Lawless, conductor Corrado Rovaris. More info here.It’ll be easy to mock this work — and other operas of this era that share the bel canto ideas of historical accuracy and plotting — so I will try not to […]

Hercules directed by Peter Sellars / A LOC-COC co-production

April 12, 2014

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Handel – Hercules. A Canadian Opera Company / Lyric Opera Chicago co-production, seen April 11 2014. Director Peter Sellars, conductor Harry Bicket. Eric Owens (Hercules), David Daniels (Lichas), Richard Croft (Hyllus), Alice Coote (Dejanira), Lucy Crowe (Iole). Complete cast & creative plus tickets and dates here.  I found this Sellars production to be in effect a semi-staging, with […]

Laura Pudwell as Cavalli’s Giasone, and other things I will miss

March 10, 2014

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A contralto of gorgeous timbre, Laura Pudwell, is scheduled to sing the title role in a concert version of Cavalli's Giasone with Toronto Consort, April 4-5-6, TSP.

Un ballo in maschera by Wieler-Morabito at the COC

February 7, 2014

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Un ballo in maschera (Giuseppe Verdi-Antonio Somma, 1859). A Berlin Staatsoper Unter den Linden production directed by Jossi Wieler and Sergio Morabito, revival director Samantha Seymour. Conductor Stephen Lord. Seen at the Canadian Opera Company on February 5. My intro to Il Ballo HERE. The setting is American of indeterminate age, closer to the Civil Rights […]